This is the Allusionist, in which I, Helen Zaltzman, have been stashing away special Allusiobits all year, when the people who appeared on the show said interesting things that I couldn’t fit into their episode because there wasn’t room or it was not about language - waiting, just waiting, for this, the annual Bonus episode! This year we’ve got something called the ‘universal blank’, which actually does not refer to my emotions; we’ve got tricorn hats, poets with migraines, and why Boston cream pie isn’t a pie. And so much more.
Read moreAllusionist 134 Lacuna transcript
CRYSTIAN CRUZ: Some of the content was censored at the very beginning, but some was censored at the very end of the process. So they were just about to print out the new edition and then they had to stop the machines and say, “No, that's content was not approved, so we have to replace it at the very last moment.” So that guy would have to come up with some recipes.
HZ: That’s a lot of pressure on a linotype printer - not just having to deal with very late changes to the paper, but mentally having to bake a cake too.
CRYSTIAN CRUZ: And then the thing is, they didn't work at all, because the guy had just made it up.
Read moreAllusionist 90. Dear Santa - transcript
JIM GLAUB: To be honest, these letters have been coming in as long as I've lived in that Chelsea apartment. And even before that, the gentleman that lived before us had been getting the letters, only about four or five a year. And then they had told me that the guys before them had been getting the letters.
HZ: This is Jim Glaub. He and his husband Dylan Parker were living in an apartment on West 22nd St in Manhattan. And every year, these letters would arrive there, addressed... to Santa.
Read moreAllusionist 84. Trammels - transcript
ROSS SUTHERLAND: We're taught from a young age to be good sports at losing games. Sportsmanship as a concept is all about being a good loser. And yet we're terrified of the concept of losing art. It's a horrible thing to try and to put yourself out there and for it to fail. So if you can reframe it as a game then all the better.
HZ: Because if you fail again you've just failed at the game and not at art entirely.
ROSS SUTHERLAND: Yeah, exactly. You fail at the game, but then you can play again. it's less of a referendum on your own self-worth if you just lose a game, because we play games all the time and so we're very comfortable with our odds. Whereas I feel when it when it comes to art the odds feel a little bit more important, and they shouldn't.
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