Exclamation; sign of agreement OR disapproval; gendered, but circumstantially gender-neutral; term of endearment: 'dude' can do it all! But its connotations of a laid-back, cool, masculine person are only a few decades old; before that, it meant...an uptight city-dwelling tourist?? Dude, seriously!
Read moreAllusionist 127. A Festive Hit for 2020
The usual canon of Christmas songs may not really fit people's moods in this year 2020, when I'm not sure a lot of us are feeling all that holly jolly. So I drafted in singer and songwriter Jenny Owen Youngs and we wrote a festive song that is suitable for 2020.
Content note: there are swears. Several of them.
Read moreAllusionist 118. Survival: Bequest
When the Europeans arrived in Aotearoa New Zealand, as well as guns, stoats and Christianity, they brought ideas of cisgender monogamous heterosexuality that were imposed upon the Māori people as if there had never been anything else. But one word, takatāpui, proved otherwise.
Read moreTranquillusionist: Nmiigea
This is the Tranquillusionist, in which I, Helen Zaltzman, for the purposes of quelling anxiety and stress and sleeplessness, read the lyrics to ‘Imagine’ by John Lennon, with the words arranged in reverse alphabetical order.
Read moreAllusionist 22: Vocables
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La la la, dum di di dum, a wop bop a loo bop a wop bom bom - why are songs riddled with non-words masquerading as words?
Hrishikesh Hirway from Song Exploder and songwriter Tony Hazzard explain.
WOAH WOAH WAH-OH, DO BE DOO DOO, HERE'S SOME READING MATTER:
How to write the perfect pop song. (TL;DR: just get Carly Rae Jepsen to do it.)
Indie singers become pop songwriters. Are we supposed to feel sorry for them? Because I do not.
This is an old but good long profile of songwriter Ester 'Wrote Nicki Minaj's Superbass and Rihanna's What's My Name, also stars in Pitch Perfect' Dean, whose writing process seems intriguingly vocable-led.
Here's a little history of the BBC's The Old Grey Whistle Test, and here's a documentary about it, which contains all the fashion inspiration you need for the next six months.
Here's the transcript of this episode, though not including the relevant lyrics of 'Agadoo', because there are limits.
Listener Timothy requested a downloadable MP3 of the special version of the theme tune in this episode. Who am I to deprive you?
RANDOMLY SELECTED WORD FROM THE DICTIONARY:
occiput
CREDITS:
Hrishikesh Hirway makes the excellent podcast Song Exploder, which you'll find at songexploder.net. Here's that Tune-Yards episode I mentioned. He tweets as @songexploder and @hrishihirway.
Tony Hazzard's extensive career and discography can be found at tonyhazzard.com. His new album The Hallicombe Sessions will arrive in the next few weeks. He tweets as @tonyhazzard.
This episode was produced by me, Helen Zaltzman. Communicate with me at facebook.com/allusionistshow, twitter.com/allusionistshow and twitter.com/helenzaltzman.
Thanks to Martin Austwick for providing the Allusionist theme, and the special vocable version thereof. The other music from the show was, in chronological order:
Ella Fitzgerald - ‘One Note Samba’
The Spice Girls - ‘Spice Up Your Life’
Theme from The Old Grey Whistle Test - ‘Stone Fox Chase’
Little Richard - 'Tutti Frutti'
The Crystals - ‘Da Do Ron Ron’
Black Lace - ‘Agadoo’
JLS - 'She Make Me Wanna'
Betty Wright - ‘Shoorah Shoorah’
Brokeback - ‘In the Reeds’